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　　American film critic Elvis Mitchell’s kaleidoscopic documentary creates a definitive narrative of the Black revolution in 1970s cinema, from genre films to social realism—a work of painstaking scholarship that’s also thoroughly entertaining, an essential archival document and testament to a period of American film history unlikely to be repeated同样是美男：他人有配景，咱们只要背影；他人在游览，咱们在梦游；他人喝拉菲，咱们泡咖啡；他人傍大款，咱们捡渣男；他人开奔跑，咱们开威驰...